How Bhanu Athaiya, India’s first Oscar winner, changed the costume design landscape in the country – Entertainment News, Firstpost “



Bhanu Athaiya considered herself a creative director. She despised stars who tried to dictate costume decisions and designers who put their own fame above movie quality.

In 1983, when Bhanu Athaiya won an Oscar for costume design for his work on Gandhi, not everyone in Hollywood was thrilled.

“For what reason? Crumpled sheets, burlap bags and loincloths? Film critic and author Rex Reed wrote.

Not to mention army uniforms.

Gandhi – a three-hour saga spanning over half a century of politics, protest and steadfast non-violence in the life of Mahatma Gandhi (Ben Kingsley) – was anything but a fashion show.

Some Indian moviegoers have complained that everyone looks so ordinary, from actors – including John Gielgud, Martin Sheen and young Candice Bergen (playing the role of American photographer Margaret Bourke-White) – to the thousands of extras. dressed for crowd scenes.

But Athaiya knew the value of his work.

“Richard Attenborough was making a complex film and needed someone who knew India inside out,” Athaiya said. Oriental eye, a British weekly, in an interview published last year. “You had to contribute a lot and I was ready for it.”

Gandhi won eight Oscars, including Best Picture, Actor, and Director. And when the costume design award went to Athaiya – sharing that honor with British designer John Mollo – she became the first Oscar winner in Indian history.

Bhanumati Annasaheb Rajopadhye was born on April 28, 1929 in Kolhapur, Maharashtra, known as the city of the arts, in British India. She was the third of seven children of Annasaheb Rajopadhye, painter and photographer from a wealthy family, and Shantabai Rajopadhye. His father died in 1940.

After graduating from school at age 17, Bhanu moved to Bombay (now Mumbai) and stayed with a woman whose mother worked in Eve’s Weekly, a popular magazine.

“They saw my sketches and could tell my hand was good,” Athaiya said. Oriental eye, adding that she “drew from a young age.”

Her job as a magazine illustrator led her to a job in a boutique, where she began to create her own designs, although she never attended fashion school. This brought her to the attention of the Indian film industry.

“The best stars started approaching me and recommending me to filmmakers,” she said. The Indian Express in an interview published last year. In another interview, she summed up her career: “I never had to knock on doors.”

She made her debut in the film industry in Raj Khosla’s CID (1956), a murderous black-and-white drama (with musical numbers, of course), roughly halfway through the golden age of Bollywood. She went on to design costumes for more than 100 films over nearly six decades.

They have included some of the best Hindi movies, like the one by Guru Dutt Pyaasa (1957), on a poet in difficulty and the prostitute who believes in him; Vijay Anand’s Guide”(1965), about an unfortunately married woman and a former tourist guide in search of spirituality; Ashutosh Gowarikerer Lagaan: Once upon a time in India (2001), which combined cricket uniforms, military uniforms and women’s fashions from late Victorian England; and the same director Swades (2004), about a modern scientist returning to his childhood village.

She considered herself a creative director. She despised stars who tried to dictate costume decisions and designers who put their own fame above movie quality.

Athaiya received special praise for her designs for actress Sridevi, angelically dressed in white in Yash Chopra’s Chandni (1989); Zeenat Aman as a wife mentally and psychically Satyam Shivam Sundaram (1978); Vyjayanthimala in the fantasy Amrapali (1966); Mumtaz, who makes the twist in the fancy party scenes in Brahmachari (1968); and Waheeda Rehman, one of the creator’s favorite actresses, in Guide.

She said she loved her film career because it allowed her to create designs for period images and contemporary stories.

“And he has a timeless life,” she said Oriental eye, “So that fashion comes and goes.”

She married Satyendra Athaiya, a lyricist and poet, in the 1950s. (She changed her billing from Bhanumati to Ms. Bhanu Athaiya in 1959.) According to The time of India, he died in 2004.

India can now claim eight Oscars, including two for the 2008 film Slumdog Millionaire (score and sound mixing), an honorary Oscar in 1992 for the director Satyajit Ray and several technical prizes.

In 2012, after learning that she had a brain tumor, Athaiya returned her Oscar statuette to the Los Angeles Academy of Motion Picture Arts and Sciences for safekeeping after her death.

She died on October 15, 2020 in Mumbai. She was 91 years old.

His last film was Nagrik (2015), a mystery about casually dressed criminals. She was the author of The art of costume design (2010).

The Oscar wasn’t Athaiya’s only grand prize. She has won the Indian National Costume Design Award twice, for Lekin … (1991) and for Lagaan a decade later, and the Filmfare Lifetime Achievement Award in 2009.

Working in the cinema, Athaiya said in an interview with The Indian Express, “Became a way to express myself and let my imagination fly.”

“It was so satisfying that I didn’t feel the need to do anything else.”

Anita Gates circa 2021 The New York Times Company



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